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"Larry Sanders" and all related characters © Brillstein/Grey
This script © 1996 Keith Planit
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LARRY SANDERS "The Affair of Lawrence & Gorme"

teleplay by

Keith Planit


OPENING TITLE SEQUENCE

INT. STAGE - EVENING

HANK (O.S.)

Live, on tape from Hollywood, The Larry Sanders Show. Tonight, join Larry and his guests: Demi Moore, Mac Davis and Miss Piggy...And now, because David Brenner wasn’t available...Larry Sanders!

END OPENING TITLE

As per usual, Larry walks to his spot, smiling wide and nodding "thanks" to the audience.

LARRY

Please. Really, I don’t deserve this. It’s you, you folks deserve applause for standing out in that heat all this time.

(pause)

Boy that heat. I mean, man--

HANK

(interrupting)

How hot is it?

LARRY

(laughs; eyes Hank with a smirk)

...man, is it hot.

(to Hank)

A little punchy tonight?

Hank is laughing, realizing his mistake.

HANK

Sorry, sorry.

LARRY

Well, I--

HANK

(quietly)

Too much Nyquil.

We're seeing something we rarely get to see: the on-air personas of Hank and Larry truly having fun.

LARRY

(still joking around)

Did you want to take a nap?

HANK

No, sir.

LARRY

And man is it hot!

HANK

(silly)

How hot is it?

LARRY

(smiles)

It’s, it’s so hot here in L.A., the bullets are melting...even before the kids get to school!

Laughter from the audience.

LARRY

It’s so hot--

HANK

(silly again; laughing)

How hot is it?

LARRY

(laughing with Hank)

Thank you. It’s so hot, the arsonists are taking the day off!

(pause for laughter)

It is so, so, so hot that the rioters are hosing themselves down!

(pause)

Also everyone remember the Billionaire Boys Club murder? Well, the convicted leader wants a new trial -- he says he can produce witnesses who’ll get him acquitted. Yeah, well, lessee, he's already lined-up Rosa, Kato, Al Cowlings...

(pause)

I finally rented "Waterworld." Wow, 180 million on that? And I thought I got suckered for nineteen-ninety-five on a Steve Lawrence & Eydie Gorme "greatest hits" album...

The audience responds with some laughter and applause. Larry reacts proudly to that.

LARRY (cont'd)

(adding to the joke)

...sure, it was only three minutes long but after that you’d also prefer Kevin Costner peeing into a cup.

The audience responds with overwhelming laughter -- far more than would ever be expected.

cut to:

back stage - later that evening

Larry walks backstage, Artie catches up to him.

ARTIE

Splendid show, my boy! Awe inspiring!

LARRY

Thanks. I now understand what the frog sees in Miss Piggy.

ARTIE

Sassy little hog isn't she?

LARRY

And she's got great tits.

ARTIE

You need to date more, friend.

They continue into the hallway, Beverly joins them.

LARRY

(to both)

Hey, did you hear the reaction to the Steve & Eydie joke?

BEVERLY

It was as if the audience had actually heard of them! Nice show!

The enter into the offices...

INT. LARRY SANDERs' SHOW OFFICES - that MOMENT

Beverly hands him a mug of coffee.

LARRY

Thanks.

Artie and Larry head into Larry's office.

INT. LARRY'S OFFICE - same second

ARTIE

Who're you kidding? The audience doesn't know them from dick... Larry Sanders just has a way with people!

LARRY

Yeah. Phil, that little prick--

ARTIE

But a fine comedy writer all the same!

LARRY

Phil had Hall & Oates as the punchline, so I said "if you're going to use old news, why not Ike and Tina Turner."

ARTIE

Little prick just can't take constructive criticism!

LARRY

So I made a decision--

ARTIE

Ahh, an executive decision from the bossman!

LARRY

I decided on Steve & Eydie!

ARTIE

Old friends of mine. Good people!

LARRY

And more importantly, the easy butt of a joke!

ARTIE

Indeed!

LARRY

We should have Phil come up with some more! This could be the start of something big!

cut to:

int. stage - evening

Larry's in the middle of his monologue.

LARRY

...Today, I tried the new Combo Sandwich & Salad Meal at Wendy’s...which is a lot like seeing Steve & Eydie sing: it’s lukewarm here, very fatty there, and you don’t feel any better when it’s done.

(Larry pounds his chest indicating heartburn)

A roar of laughter from the crowd.

cut to:

 

int. The writer's room - that moment

Phil, Paula and Brian are watching the show.

PHIL

There's something wrong when Larry knows more about comedy than me. How the hell does Steve & Eydie get a laugh when my Martina Navratilova and Melissa Etheridge joke fell flat?

BRIAN

Too obvious.

PAULA

Who are Steve and Eydie?

BRIAN

Steve Lawrence & Eydie Gorme. You'd see him on "The Carol Burnett Show" a lot when we were little. And he had a cameo in The Blues Brothers!

PHIL

They're big in Vegas.

(pause)

I can't believe jokes about them are actually getting laughs.

PAULA

Hey, I should get Carol Burnett on the show again.

ANGLE ON TV

It's a two-shot of Hank and Larry at the desk -- they have just finished up some sort of comedy bit.

LARRY

We'll be right back!

cut to:

 

int. show set - that moment

They're at commercial now and Hank leans in to Larry as soon as they sit down.

HANK

I just wanted to ask you a little something, Larry.

LARRY

Oh God, Hank. What is it now?

HANK

It's nothing big, it's just, well, I'm sort of a big fan of Steve & Eydie.

LARRY

That's great, Hank, I'm sure you have all their albums.

HANK

(lying)

Um...no-o-o.

(pause)

Anyway, my point is, they're good people, there's no reason to poke fun at them -- it's not like they're Hitler or Stalin or that fucking bitch Melanie Griffith!

ANGLE ON Artie who is shooing someone away as he turns back towards the stage where he sees Hank talking to Larry and Larry looking around desperately.

ARTIE

Oh, damn it all!

Artie runs over and puts his arms around both of them.

ARTIE

Hey, fellas! No time for chatter! We've got a show going on!

HANK

Oh Artie, I was just telling Larry that I--

ARTIE

(walking off)

Fix your tie, Hank, it's a Goddamned mess.

Hank of course shuts up to concentrate on fixing his tie, which was absolutely perfect. Larry's expression is one of thanks and relief as...

LARRY

And we're thrilled to be back!

cut to:

int. larry sanders show offices - morning

Larry walks in all smiles.

Artie immediately grabs his arm, a grim look on his face.

ARTIE

The shit's hit the fan, my boy.

LARRY

Oh good. The shit hasn't hit the fan since Thursday.

INT. LARRY'S OFFICE - MOMENTS LATER

LARRY

What? The Post publish the shots of Hank getting spanked by fourteen-year-old girls?

ARTIE

Very funny! We got a fax today! Beverly's got i--ahhhh, here we go.

Beverly rushes in and looks to Artie who motions for her to give Larry the paper in her hand -- which she does.

BEVERLY

This came in after the first dozen or so calls.

LARRY

(hasn't looked at paper)

"Dozen or so"?

BEVERLY

The phone's been ringing so much you'd think USA Today's published the pictures of Hank getting spanked by those fourteen-year-old girls.

Larry reads the paper and begins to laugh.

LARRY

"...And if you persist in telling jokes, there will be repercussions unlike what you might ever expect...and you will be sorry"? What the hell is this?

BEVERLY

It's signed by Steve Lawrence.

LARRY

Oh, thanks, Beverly, I almost forgot to look who wrote my death threat.

ARTIE

I think we're heading into a little bit of trouble here.

LARRY

(incredulous)

What? With Steve Lawrence and Eydie Gorme?

ARTIE

Maybe we should just lay off a little bit, eh?

LARRY

What?!

ARTIE

I think it would be best.

Larry bends over a bit and starts scanning the floor for something.

ARTIE

What're you doing?

Larry peeks under the desk.

LARRY

Ah. Yep, there they are.

(looks up to Artie)

Artie, your balls have rolled under my desk. Beverly, would you get them, my hands are dirty.

ARTIE

Steve's a pretty tough customer, old chum. We should really consider taking it easy.

BEVERLY

I don't know, Larry, maybe you should listen to Artie here.

LARRY

You guys're kidding right? Steve & Eydie have become our Mujibir & Sirajul!

ARTIE

And where are they these days?

BEVERLY

I understand Steve's got quite a bit of power in Vegas.

LARRY

Yeah, so do Siegfried and Roy.

(pause; to Beverly)

Hey, have Phil write up some more jokes and work Siegfried and Roy in.

BEVERLY

(sarcastic)

Oh, that sounds like a tough assignment.

She exits.

ARTIE

Careful where you go with this!

Larry just laughs in an "oh please" sort of way.

cut to:

LARRY sanders show opening title sequence

HANK (v.o.)

...And now because Mom always liked him best...Larry Sanders!

int. stage - evening

Larry walks out to his spot and begins his monologue.

larry

Thank you, thank you.

Here's some strange news I heard: Siegfried & Roy have something new in their act; it's already very popular. Tell me you don't think this is odd. For every round of applause they get, Siegfried and Roy will make someone with the last name Lawrence or Gorme...disappear!

The audience begins to respond, but Larry continues the joke.

LARRY (cont'd)

That seems so unfair -- just "Gorme" would've been enough.

The audience begins to applaud the joke (although there's little actual laughter, as is bound to happen on some jokes...especially this one).

cut to:

int. larry sanders show offices - morning

Larry heads into his office as Beverly follows.

INT. LARRY'S OFFICE - MOMENTS LATER

BEVERLY

We've received several more calls from Steve Lawrence's people...

LARRY

His "people"?

BEVERLY (cont'd)

...lawyer, a booker from Caesar's Palace...

After each message, she hands him the piece of paper the message is written upon.

BEVERLY

Plus the Steve & Eydie Fan Club called.

LARRY

Yeah, well, I think I can handle four old ladies who've had their hips replaced.

Hank heads in during that sentence (he's holding something behind his back).

HANK

(referring to the "hip" comment)

Oh, good, Liz Taylor's on the show?

BEVERLY

(ignoring Hank)

And the rest of these are from Eydie who really feels you’d be "better served" if you stopped.

With that, she exits as Larry tosses all of the messages into the trash. He sits down and begins to flip through a magazine as if he were alone.

HANK

Um, Larry?

LARRY

Hank?

HANK

I just wanted to let you know that I'm behind you on this all the way.

Hank reveals what he's been hiding behind his back: several old Steve & Eydie record albums. He thrusts them into Larry's face.

HANK

These! These mean nothing to me anymore!

Hank breaks the records over his knee. Larry puts his hand to his brow as he looks down to cover laughing at Hank.

Larry looks up at him.

LARRY

Well, thank you, Hank. I didn't even know you were a fan.

HANK

I'm not. Not as long as they keep terrorizing you.

Artie enters.

HANK

Artie, I just destroyed my Steve & Eydie albums in a display of support for my pal Larry.

ARTIE

That's truly wonderful, Hank, your efforts will not go unappreciated. Now do me a favor and haul your ass outta' here!

HANK

Artie, please, anything you say to Larry can be said in front of me.

Artie gives Hank the scariest fuckin' look he could possibly give. Hank begins backing out.

HANK

Actually, I do have to go talk to Brian.

He exits.

ARTIE

They're threatening legal action.

LARRY

(annoyed)

Oh, geez, oh, ya' know! This is, this is crazy, this is...

(suddenly a bit happier)

only giving us more ammunition!

ARTIE

Well, buddy, I'm thinking we should lay low for a couple of days.

LARRY

Aw, come on! I have a good sense of humor about myself! Remember when SNL did that Carvey skit about me and my big ass? I didn't complain, I didn't call

(CONT'D)

the network, I didn't leave a dozen messages!

ARTIE

That's fine, but you're not Steve Lawrence and you don't know the people he knows.

LARRY

Yeah, gee, if only Tony Orlando and Wayne Newton would hang out with me.

ARTIE

Just think about it, okay?

LARRY

(seriously)

Yeah. Okay, Artie.

INT. HANK'S OFFICE - that moment

Brian is sitting in a chair with a pad and pen.

HANK

...and make sure you count the change, I don't recycle for the hell of it. Also, would you take these records and get me the CDs?

Hank hands Brian the broken records.

BRIAN

You know, I don’t really think these are available on CD.

Hank heads out of his office, Brian follows.

INT. LARRY SANDERS' SHOW OFFICES - that second

HANK (cont'd)

(hands Brian some cash)

Listen, you don't have to pretend with me. Feel free to buy copies for yourself...

(whispering)

I know it's not really in vogue to be fans of theirs in these offices, but we could be honest with one another you and I.

BRIAN

(speaking at a normal level; innocently)

You think I'm a fan?

HANK

Well I know how you folks feel about old fashioned things and antiques.

BRIAN

(sarcastic)

Ohhh, well, no, you've got it wrong. Actually, my favorite musicians are Elton John, Melissa Etheridge, David Bowie, and K.D. Lang.

HANK

(winks and smiles)

K.D. La-ang. Ah, I get it. I understand now.

Phil walks over to a nearby FAX machine and grabs something as he overhears.

BRIAN

(humoring Hank)

Yeah. We only like musicians that are...

(looks around)

like us. Same with comedians actually.

Hank reacts with a "gotcha'" look, gives a thumbs up and walks away.

PHIL

(walking by, looking at Fax, reacting to Brian)

What do you think of Ellen Degeneres?

BRIAN

Oh, the best!

Phil heads towards Larry's office, passing Paula. She hangs up the phone, frustrated.

PAULA

(to nobody inparticular)

No Carol! Damn, it looks like we're gonna' have to go with Tim Conway or Harvey Korman again.

He continues walking towards Larry's office.

INT. LARRY'S OFFICE - A MOMENT LATER

BEVERLY

(at her desk)

He's waiting for you.

Phil sighs heavily.

PHIL

(hands Larry FAX)

Just as you ordered, some more Steve and Eydie jokes.

LARRY

(referring to FAX)

What's this?

PHIL

Oh, well, freelancers have been writing the Steve & Eydie jokes.

LARRY

Oh, the head writer doesn't write for the show anymore?

PHIL

I just have a problem writing this kind of thing.

LARRY

(reading FAX now)

I see. Okay.

Phil watches Larry (who reads a joke and laughs a bit) for a moment, then heads out. He stops at the door as Larry calls out.

LARRY

Hey, Phil. I want you to get me some more Steve & Eydie jokes... and I want you to write them.

INT. WRITERS' ROOM - LATER

Phil sits with his head resting in his hands. Open newspapers, a legal pad, and a pen are in front of him. The pad is blank. Artie walks in.

ARTIE

What's the problem, Phil?

PHIL

Oh, uh, no problem. I'm just trying to get the monologue together.

ARTIE

I hear you don't write Steve & Eydie jokes.

Phil almost starts to defend himself, but he's cut off by Artie.

ARTIE (cont'd)

Ego bruised? Had trouble

(CONT'D)

accepting it when Larry's suggestion turned out to be right on the money?

Artie pauses as Phil looks down, afraid to respond.

ARTIE

Permission to speak freely.

PHIL

There's something wrong when Larry Sanders can tell the "hot young talent" what's funny and be right. I'm the head writer, I'm supposed to know. Jesus, he hasn't written a damn joke in six years!

ARTIE

And that one got a big laugh too!

Artie grabs Phil by the back of his neck and walks him over to the table from which he (Artie) grabs a sheet of paper.

ARTIE

What does the letterhead on this sheet say?

PHIL

(rolls his eyes)

"The Larry Sanders Show."

ARTIE

Now, it doesn't say "Phil, the Hot Shit's Show," does it?

(pause; he grabs a mug)

This coffee mug, with the

official Larry Sanders Show coffee in it, doesn't say "Big Fucking Phil's Damn Show," does it?

(walks Phil to the window)

Who's got the large extravagant office across the way, hmm?

PHIL

(again, rolls his eyes)

Larry Sanders.

ARTIE

Not big fuckin' Phil? And in

that office, not two hours ago, who did Larry Sanders trust to write some Steve & Eydie jokes for his monologue?

Phil smiles, in spite of himself, at what Artie's just said.

ARTIE

(heading out)

Big fucking Phil! That's who!

And Artie exits.

cut to:

int. stage - evening

Another monologue...

LARRY

And Finally, as we've been discussing all week now, Steve & Eydie have said, to be more hip, they're going to change their stage names. And, I don't know, I just think they've gone too far with "Hootie & a blowfish." I t speak for the entire blowfish population when I say: What the heck did we ever do?... Thank you...No Flipping!

cut to:

INT. LARRY SANDERS' SHOW OFFICES - DAY

Larry enters, smiling to people as he goes. As he passes Beverly, she holds out some messages.

BEVERLY

Steve & Eydie's Lawyers called to make an appointment.

LARRY

Dodged them, right?

BEVERLY

All morning. Artie's also getting calls.

LARRY

Have they, you know, called the network?

BEVERLY

I don't believe so.

LARRY

(starts away)

Well, then what the hell am I worrying about?

INT. LARRY SANDERS' SHOW Kitchen - day

Phil walks in and grabs a Coke out of the fridge, Brian is drinking coffee.

BRIAN

Hey, Phil, the new Steve & Eydie jokes are really great.

PHIL

I'm just doing what Larry wants. But I thought giving an ongoing theme to the pieces on them would maybe bring some more attention to the show.

BRIAN

What is the theme exactly?

PHIL

The theme? It's that these old,

(CONT'D)

untalented people shouldn't be performing, and even changing their stage names won't help.

BRIAN

Oh. That's deep. You're like a Robert Frost for the 90s.

STEVE LAWRENCE then peeks his head into the kitchen.

STEVE

Excuse me, could one of you tell me where Larry's office is?

Brian stares with this questioning expression on his face.

PHIL

(sort of off-handedly)

Yeah, go to the right, then straight through. you'll see it.

STEVE

Thanks.

He exits.

Brian's expression changes to "oh shit," like he suddenly realized who that was. After a beat, he turns to Phil.

BRIAN

Do you think he heard you?

PHIL

I hope so, he was just standing right there.

BRIAN

No, you schmuck, that was Steve Lawrence!

PHIL

(laughs)

Oh. Well, I guess we got the attention I was hoping for.

BRIAN

(matter-of-factly)

This place still has a bomb shelter, right?

He exits.

PHIL

Hey, wait up. I'll come with you.

He grabs a couple of bagels from a nearby tray before he exits.

INT. LARRY'S OFFICE - DAY

Larry's at his desk, reading something and laughing. Artie rushes in, closing the door behind him.

ARTIE

We need to have a very quick, little chat.

LARRY

(laughing)

This is for tonight, listen to this: As you all know, Steve & Eydie have been searching for new names to help increase their popularity -- Steve, to keep the

adults interested, will now be known as "Matlock," while, to attract the kids, Eydie'll simply call herself. . ."Crack!"

ARTIE

(rushing)

Ha-ha. Funny. But into our midst a creature hath arrived.

LARRY

What're you quoting?

ARTie

I made it up! Steve Lawrence is here and he's--

The door to his office flies open, and at the entranceway stands an angry Steve Lawrence.

ARTIE

Stevie! My old compadré!

STEVE

(pause; smiles)

Hey, Arthur, how are ya' these days?

They hug -- a firm, manly hug.

ARTIE

Not so bad. How's the wife?

STEVE

Great. Listen, Arthur, would you mind if I spoke to Larry for a second...alone.

Larry looks to Artie, worried.

ARTIE

Steve, anything you want to say to him, you can say in front of me!

STEVE

(pulls Artie near; whispers)

Should I remind you about Atlantic City, nine years ago... A "woman" named Angelica?

ARTIE

(turns to Larry)

Sorry, pal, gotta' fly.

Artie exits.

Steve approaches Larry at his desk. Larry braces himself.

STEVE

You know why I’m here, Larry. I think I've been pretty fair about this. With each joke you're hurting me, and worse, you're hurting my wife. Obviously, asking you nicely, several times, doesn't work.

LARRY

(keeping his composure; trying to joke)

Well, you never did actually say "please."

STEVE (cont'd)

Threats, legal or physical, also don't seem to work.

LARRY

Well, you know, it wasn't me. It was our lousy head writer.

(holds up sheet he was reading earlier)

Here's a list of jokes right here, there's no stopping him! The little prick!

STEVE

Larry, Larry. You disappoint me.

(leans in)

It's your show. You call the shots.

Suddenly, Steve backhands Larry across the face. Larry looks more embarrassed and upset than he does in actual pain.

STEVE

Let's see if you’re man enough to take 'em.

Steve heads for the door.

STEVE

Thanks for your time, Larry. I think it's been educational for both of us.

He leaves, passing Artie and other people gathered by the door. As everyone watches him leave, Artie runs into the office (a folder tucked under his arm), shutting the door again.

ARTIE

You okay, pal?

LARRY

That, that bastard's gonna get his ass sued...and we're gonna start doing two jokes about him every night.

(pause)

He smacked me, Artie. That piece of shit smacked me. I'll sue, and I'll win.

ARTIE

And everyone'll know that Larry Sanders got smacked across the face by Steve Lawrence...it's just red, it won't even bruise!

LARRY

And you were out of here pretty fast. What? He know about Angelica too?

ARTIE

How'd you hear?

LARRY

Oh, Beverly and Paula were talking about it one day...

Artie reacts to that.

LARRY (cont’d)

That's not the problem--

ARTIE

No, here's our problem.

Artie opens the folder under his arm.

ARTIE

The ratings. Since Steve & Eydie have become such a popular punchline on our show, the households for the 18-49s have declined, while the geezers seem to be tuning in regularly...they want to hear jokes about the folks they loved in their youth.

LARRY

(happier than he should be)

Ratings’re down? So, if I stopped doing Steve & Eydie jokes, we can say it's because of ratings?

ARTIE

No, we will stop doing Steve & Eydie jokes, because the beer we advertise, nor those little cars that go with it, are selling.

LARRY

Hm. What should we do to improve this situation?

The two of them eye one another for a moment.

cut to:

int. stage - evening

Larry's monologue...

LARRY

...in response, Bill Clinton said he could drink Ted Kennedy under the table.

(CONT'D)

(pause; audience laughs)

And in other news today, Ice-T, yes rapper Ice-T, who's so popular with the youngsters these days, said he'll be altering his name to keep up with these ever-changing times. From now on he said he'd like to be known as..."Frappuccino."

The audience laughs loud and hard as Larry gives an "O.K." sign towards Artie off-stage.

FREEZE FRAME as we...

fade out.

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